Plenty
facts stuck with glue;
These
sticky little squares do show;
Monarchy
you should know;
What
rates for the weights they must hold,
On
papers new or old?
Postage
stamps tell, tell true stories;
Not of
Whigs and Tories.
Revenue
sent to government
Stamps
legal document;
We make
love to sticky-paste squares
With
kisses, glue adheres.
Queen
Victoria days of yore;
Penny
Post at the door;
World's
first postmark known, who carved it?
Henry
Bishop made it.
Who
gave us the adhesive stamp?
Was
Rowland Hill, the champ?
Barbados
postage stamps left clues;
Of
kings and queens infuse.
On this
half penny stamp of green;
Historical
facts seen;
A crown
that floats above a head;
What
message does it spread?
In the Victorian
era,
He wore
no crown never;
A
consort he was her husband;
She
proposed to this man.
Strong
woman would make that occur;
He said
yes, yes after;
Acrostics
she did; he liked chess;
Both
them played with success.
Queen
Victoria on the throne;
Morality
enthroned;
To every
far flung colony;
Barbados,
so tiny;
Growing
sugar-cane island’s crop;
And
slaves working non-stop;
No wage
in pounds, shillings and pence;
Working
fields, heat intense.
Cutting
sugarcane filled dray-carts,
Feeding
mills, black-poor hearts;
Bedchamber
crisis in Palace;
Peel
resigned from office;
Interesting review on
this;
This postage stamp
depicts
Britannia, Roman
goddess,
Postage face does
impress.
What are the images
you see?
Neptune god of the
sea;
Which Britannia
personified;
And Romans canonized.
Female
personification;
Britannia’s passion;
Brave waves did splash
over England;
Britain, the great island.
Like Neptune she holds
a trident;
Three prongs so
evident;
Neptune rides waves
with seahorses
Well; Britannia does.
For crying out loud hear
this thing;
Barbados she acting
Like she is, Great
Britain's England;
Called self "Little
England".
Barbados stamps from
the outset;
Mirrored England's
stamp set;
Post photos alike during
the
Victorian era.
Look at postage stamp
one farthing;
Gives credence and
backing;
Much more is on this
postage plate;
So let's reiterate;
Barbados’ story of
money,
Few words stated
mintly;
Three and a half
centuries ago,
Crown's grip on it did
show.
Pounds shillings and
pence, changeable;
British money table;
Four farthings, one
penny it is;
Twelve pence one
shilling, Chris.
Imagery on the stamps
does say;
Victoria holds sway;
Eighteen thirty-seven
young queen;
On the throne at
eighteen.
How much those two
pees worth today?
A reckoning would say
In Barbados money, six
cents;
Inflation dents the pence.
Imperialist's grip on
Bimshire
Postage stamps, front
and rear;
Dubbed Barbados
Britannia
Bags mail with carrier.
Britannia has many
themes:
Sea, land, air, and
dog scenes
Celebrations, and so
much more;
Seen on each stamp
photo.
Look at Britannia
below,
And see how those
themes glow;
In this postage stamp
gallery;
Compiled for you
gladly.
Did the Bajan
Britannia
Suffer asthenia?
No, got too much power
to stir
The colonial air;
Feeding the lungs of
royalty,
And their entrenched
army,
The largest Empire on
earth;
With glory and
self-worth.
Two centuries these
British knaves;
Britannia ruled the
waves;
Politics play on
sticky squares;
Land owners
billionaires;
Hindsight sees the bad
and the good;
Sherwood hid Robin
Hood;
Empire and George VI
would die;
His daughter is not
shy.
In the year nineteen
sixty-six,
Elizabeth did fix
Imperial wrongs, she undressed;
Her Commonwealth
cleaned mess;
Bajan Britannia in the
dark;
Independence stamps
spark;
Britain no longer
holds this rock;
Forty-five years ticktock.
With the texture of an Afro,
The rock sat in Barrow;
Proudly
wrapped in Broken Trident;
Union
Jack silent.
A bold
shift in Bajan postage;
The
royal head abridge;
When
Queen Elizabeth gave back,
Her pen
did wave brave tact.
This
rock, her ancestors sliced up
Lapping
royal tea-cup;
In the
year sixteen twenty five;
Human
rights ere deprive;
More
than three hundred years preserved;
Before
new Queen observed;
Her
reign brings to Bajans new hope,
And a
new skipping rope.
Each
postage stamp bears Bajan craft;
Drives
postal photograph;
With
themes, and scenes of our land;
Sir
Garry from Bayland;
Cricketer
from Police Sports Club;
Queen
Elizabeth dubbed;
Sir
Garfield Sobers on the field;
Greatest
all-rounder kneeled.
Bajan's living hero
knighted;
Captaincy
accepted;
Sir
Frank Worrell ere his mentor;
At the
wicket we saw;
He
pleased crowds growing round the ground;
On him,
flowing around;
Sir
Garfield St Auburn Sobers;
Collie’s
death he ponders...
Traumatic
time indeed for him;
Drinking
tears kept him slim;
Hits
six sixes in one over;
Pleasing
crowds rolled-over.
Six
successive balls in cricket,
From powerful
wicket;
See him
on postage Sir Gary
Hones
cricket skillfully.
Pause
we must on October nine;
This
thought floods brain of mine
On
postal anniversary;
Postage
fraternity.
Eighteen
hundred and sixty four,
This I
recall and more;
The
arrival of World Post Day
Mail stubs are here to stay.
Reflect
we must on UPU;
Headquarters
for mail crew
Of the
Universal Postal;
A
problem-solving hull.
Union taken
for granted,
And
benefits charted;
The UPU
in zonal ways;
Hugs
Bajan postal trays.
With
pride and appreciation;
We in
this small nation;
Celebrate
World Post Day with hearts
In
Bern's postal ramparts;
Such Swiss'
confidence they instill
In our
postal mill;
Impacting
all living beings;
When
Nations Seek postings.
Stuck
on historic road’s outpost;
With alphabetic
host;
Forty-eight
quatrains count and score
Verses;
one eighty-four.
Wikipedia asserts that historical
poetry is a sub-genre of poetry that has its roots in history. Its aim is to
delineate events of the past by incorporating elements of artful composition
and poetic diction. Figurative devices such as alliteration, assonance,
metaphor, and simile are invariably used to layer historical poems with
expanding, enriching meanings.
This poem, “Postal History of Barbados
in Poetry” highlights the assertion that postage stamps from any country have many
functions besides their primary function. Stamp collectors, philatelists and historical
poets eagerly lap-up the historical underpinnings of these sticky pictorial
squares with corrugated edges.
Poets when writing historical poems
evoke to a large degree a tool referred to as narrative license referred to by
such names as artistic license, dramatic license, historical license, poetic
license, and licentia poetica. This license gives them a slightly different
responsibility than do historians. The historian is expected to present
factually correct narratives. A poet who
writes historical poems adheres to this but is free to inject mythical or
emotional truths in imagery mapping. Historical poets demonstrate the concern
with keeping the voices of historical persons alive when writing persona poems
or other intimate portrayals of persons who have passed on; no longer able to
speak for themselves.
Historical poems can be a bonding
agent because it is linked to poetic intention. The poet’s intention is what
matters in serving various ulterior motives. Such motives might include the
notions of:
Informing readers at the time of
present events, in order to draw parallels and make a political statement;
Having a connection to historical
events being recorded;
The relevancy of history to the
poet which then becomes an emotional tool of expression like any other form of poetry.
The rhyme scheme in this historical
poem is aabb. An aabb rhyme scheme is a poem in which the first two verses and
second two verses rhyme creating a pattern.
How is the rhyme scheme arranged with the other verses in subsequent
stanzas when the first two verses and second two verses in subsequent stanzas
do not rhyme with the end-rhymes in the first stanza? The specialized rhyme
scheme for this is to start each subsequent stanza with the alphabet letter
that follows as shown in Table below. If a poem has three stanzas the rhyme scheme
would be aabb ccdd eeff. If the poem has four stanzas the rhyme scheme would be
aabb ccdd eeff gghh. However, since the poem has forty-eight stanzas the rhyme
scheme would be very cumbersome indeed for all the letters of the alphabet to
be on display. Therefore, stop at the end of the fourth stanza, gghh48
and use the raised number forty-eight to indicate that the poem has forty-eight
stanzas, so there is no need to continue with the alphabetic letters.
Many poetic devices are found in
poems. Here is a partial list of what I have found in the poem, “Postal History
of Barbados in Poetry”:
Alliteration
Assonance
Consonance
Double
rhymes or disyllabic rhymes
Compound
rhymes
Falling
rhymes
Identical
rhymes
Masculine
rhymes
Mosaic rhymes
Rich rhymes
Rising rhymes
Single rhymes
Slant rhymes
Triple rhymes
Alliteration also called head rhyme or initial rhyme is
the repetition of the initial sounds, usually consonants of stressed syllables
in neighboring words or at short intervals within a verse, or passage usually
at word beginnings. Here is an example
from “Postal History of Barbados in Poetry”:
Plenty facts stuck with glue;
These sticky
little squares do show: (alliteration)
Alliteration has a gratifying effect on the sound and
gives reinforcement to stresses, and also can serve as a subtle connection or
emphasis of key words in the verse.
Assonance is the relatively close
juxtaposition of the same or similar vowel sounds, but with different end consonants. This device repeats vowel sounds in stressed
words place near each other rather than in vowel sounds that are unstressed.
Here are some examples found in “Postal History of Barbados”:
For
crying out loud hear this thing;
Britain
no longer holds this rock;
Hits six sixes in one over;
Stuck
on historic roads outpost;
Verses;
one eighty-four.
Consonance repeats consonant sounds
at the ending of words placed near each other, usually on the same or adjacent
verse. These consonant sounds should be in sounds that are stressed, rather
than in vowel sounds that are unstressed. Examples from “Postal History of
Barbados in Poetry” are shown below:
Who
gave us the adhesive stamp?
Was
Rowland Hill, the champ?
Barbados
postage stamps left clues
Of
kings and queens infused
Acrostics
she did; he liked chess;
Both
of them played with success.
Cutting
sugarcane filled dray-carts;
Feeding
mills, black-poor hearts;
Neptune
rides waves with seahorses;
Well;
Britannia does.
No,
got too much power to stir
The
colonial air;
The
largest Empire on earth;
With
glory and self-worth.
Hindsight
sees the bad and the good;
Sherwood hid Robin Hood;
Empire
and George VI would die,
Bajan
Britannia in the dark;
Independence
stamps spark;
Britain
no longer holds this rock;
Forty-five
years tick tock.
What is apparent here is that rhyme
is the combination of assonance and consonance as well as being the repetition
of similar sounds in two or more words.
Compound rhymes also known as multisyllabic rhymes are
rhymes that contain two or more syllables.
The examples here will feature two or more syllables taken from “Postal
History of Barbados in Poetry” as shown below:
Revenue sent to government Female personification On
postal anniversary;
Stamps legal document; Britannia’s
passion; Postage
fraternity;
Did the Bajan Britannia To
every far flung colony;
Suffer asthenia? Barbados, so tiny
Double or disyllabic rhymes form
when two final syllables of words have the same sound. Here are some examples
found in “Postal History of Barbados in Poetry”:
Postage
stamps tell, tell true stories;
Not
of Whigs and Tories.
Strong
woman would make that occur;
He
said yes, yes after;
Bedchamber
crisis in Palace;
Peel
resigned from office;
Brave
waves did splash over England
Britain,
the great island.
Look
at postage stamp one farthing;
Gives
credence and backing;
With
the texture of an Afro,
The
rock sat in Barrow;
Proudly
wrapped in Broken Trident;
Union
Jack silent.
A
bold shift in Bajan postage;
The
royal head abridge;
More
than three hundred years preserved;
Before
new queen observed;
Sir
Garfield St Auburn Sobers;
Collie’s
death he ponders...
Six
successive balls in cricket,
From
powerful wicket;
Union
taken for granted,
And
benefits charted;
Impacting
all living beings
When
Nations Seek postings.
Falling rhyme also known as feminine rhyme is when rhyme
falls on an unstressed (ˬ) final syllable as shown in these examples:
Identical rhyme uses the same word to rhyme with
itself. It should not be confused with
identical sounding words with different meanings. Here is an example:
World’s first postmark known, who carved it?
Henry Bishop made it
Masculine rhyme makes up the bulk of rhymes in English
Language poetry. It occurs in words of one syllable and in stressed final
syllables. Here are some examples:
These sticky little squares do show;
Monarchy you should know;
Imperial wrongs, she undressed;
Her Commonwealth cleaned mess.
More than three hundred years preserved;
Before new Queen observed;
Mosaic rhyme occurs when two or more words produce a
multiple rhyme, either with two or more other words, as go for/no more or in a
larger word, as cop a plea/ monopoly (Glossary of Poetic Terms from Bob’s Byway). Here some examples taken from “Postal
History of Barbados in Poetry”:
gave back;/ wave; brave tact (mosaic Rhyme)
When Queen Elizabeth gave back;
Her pen did wave; brave tact.
growing around ground;/ roving round. (mosaic Rhyme)
He pleased crowds growing around ground;
Loyal fans roving round.
zonal ways/ postal
trays
(mosaic rhyme)
The UPU in zonal ways
Hugs Bajan postal trays;
Rich rhymes also known as true rhymes, perfect rhymes and
exact rhymes. They have the same number of syllables and sound exactly alike
with the exception of one or more letters. Here are some examples taken from “Postal
History of Barbados in Poetry”:
Barbados
postage stamps for you;
Plenty
facts stuck with glue;
Who
gave us the adhesive stamp?
Was
Rowland Hill, the champ?
Barbados
postage stamps left clues;
Of
kings and queens infuse.
No wage in pounds, shillings and pence;
Working
fields, heat intense.
Cutting
sugarcane filled dray-carts,
Feeding
mills, black-poor hearts;
Brave waves did splash over England;
Britain, the great island.
Rising rhyme is the rhyming of rhymes that utilize rising
rhythm or masculine ending. This ictus (/) represents a rising rhythm. Here are
examples taken from “Postal History of Barbados in Poetry”:
Postal History of Barbados in Poetry with Comments
Single rhymes occur when one-syllable words rhyme. One syllable words are known as monosyllables. Here are examples from “Postal History of Barbados in Poetry”:
Her reign brings to Bajan new hope;
And a new skipping rope;
Sir Garfield Sobers on the field;
Greatest all-rounder kneeled;
Pause we must on October nine;
This thought floods brain of mine;
Slant rhymes are also known as near rhymes, approximate
rhymes, off rhymes, imperfect rhymes and half rhymes. This type of rhyme shows
consonance on the final letters of words. Here are examples taken from “Postage
History of Barbados in Poetry”:
These sticky little squares do show;
Monarchy you should know;
On this half penny stamp of green;
Historical facts seen;
A crown that floats above a head;
What message does it spread?
Triple rhymes are rhymes where the last three syllables
of words rhyme as shown in the following examples:
Yes indeed, the task of duopoly
Surely, it will drives down monopoly.
In many forms, it does operate;
Capital gang must cooperate;
He really; used the word incriminate!
No, his lips uttered recriminate.
When will they end this age of greediness?
It was all done with utter speediness.
References
Glossary of Poetic Terms from Bob’s Byway.
Mosaic Rhymes. Retrieve March 14, 2013 from Google Search. http://www.poeticbyway.com/gl-m.html
Historical Poetry. Wikipedia. Retrieved March
14, 2013 from
http://en.wikipedia.org/wiki/Historical_poetry
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