Easter 
Comments on - Easter
The poem “Easter” has five sextet stanzas (sextet has seven verses in a stanza)is written in Blank Form also known as Blank Verse which is in the category of Fixed Form poetry. Fixed Form poetry is defined by the following rules:
Three months passed since the Asian
tsunami;
And much sadness still lingers in
the air;
Easter has landed, north, south,
east and west,
With many customs and pagan
legends,
And here am I in Aotearoa,
Walking in reverse so my head tells
me;
So strange, Easter falls in autumn,
not spring.
Such a movable feast you will
agree;
Marching along toward April
showers,
And variable in so many ways:
Like the Westerlies crossing the
Tasman,
Or like those northern Atlantic
Trade Winds;
Akin to Pesach, and the Risen
Christ;
Redemption is approached in heaps
of ways.
During Holy Week we watched the TV;
Beaming images to ‘The Long White
Cloud’;
Pope John Paul Two with
tracheotomy,
In the Vatican at Saint Peter’s
Square,
Gave an Easter muted blessing on us.
Through faith, we wished his silent
voice would speak,
But, his waving hand signaled us
farewell.
The fertility symbol of Easter,
We agree, springs up a new
successor;
Amid chicks, bunnies, and eggs we
behold
In awe, this mystic season of
rebirth,
Where bright colors of daffodils’
sunlight,
Our hope, from a Savior who burst
the tomb!
God’ Son, our great gift from the
Almighty...
His death, resurrection, and
ascension,
Reclaimed for you and me our Paradise;
So we pledge allegiance to the
Risen;
Through Him, no evil power can hold
sway,
For we all have found grace in God'
great sight,
And His Light has brightened our
darkest spot;
So flying kites cannot outpace our prayers.
Comments on - Easter
The poem “Easter” has five sextet stanzas (sextet has seven verses in a stanza)is written in Blank Form also known as Blank Verse which is in the category of Fixed Form poetry. Fixed Form poetry is defined by the following rules:
All verses must be in iambic
pentameter
All verses must have no end-rhymes
All verses must have end-stops. In
poetry end-stops mean punctuation marks
Blank form poems rely on meter to
give the desired structure and to create the sense of poetry and not prose. The
rhythmic flow of the verses in Blank Form poetry is remarkable. William
Wordsworth used Blank Verse in the pastoral poem “Michael” as shown in the
excerpt below:
Michael
IF from the public way you turn your steps
IF from the public way you turn your steps
Up the tumultuous brook of Greenhead Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,          (William Wordsworth)
The poem “Easter” falls into the genre of Occasional Poetry with a serious topic. It is only fitting that the poet relinquished the role of writer and has taken up roles of speaker and omniscient observer.
The poem “Easter” falls into the genre of Occasional Poetry with a serious topic. It is only fitting that the poet relinquished the role of writer and has taken up roles of speaker and omniscient observer.
Table 1a
| 
Easter | |
| 
Stanzas | 
Analysis | 
| 
Instances in poem where poet  takes on the Role of  
First Person Persona | |
| 
Stanza 1 
Three
  months passed since the Asian tsunami; 
And
  much sadness still lingers in the air; 
Easter
  has landed, north, south, east and west, 
With
  many customs and pagan legends, 
And
  here am I in Aotearoa, 
Walking
  in reverse so my head tells me; 
So
  strange, Easter falls in autumn, not spring. | 
First
  person persona: 
 I 
 my, me 
The
  poet has taken on the role of “speaker” | 
| 
Stanza 2 
Such
  a movable feast you will agree; 
Marching
  along toward April showers, 
And
  variable in so many ways: 
Like
  the Westerlies crossing the Tasman, 
Or
  like those northern Atlantic Trade Winds; 
Akin
  to Pesach, and the Risen Christ; 
Redemption
  is approached in heaps of ways. | 
First
  person persona 
 you  
The
  “speaker” now shares this role by including the pronoun ‘You”. This technique
  insures that the audience is paying attention and interest in what is said by
  taking the pressure off the “I” the
  speaker draws in the audience by invoking the pronoun “you” | 
Table 1b
| 
Easter | |
| 
Stanzas | 
Analysis | 
| 
Instances in poem where poet  takes on the Role of 
First Person Persona Omniscient | |
| 
Stanza
  1 
And much sadness still lingers in the
  air; | 
First Person Persona Omniscient  
The  speaker
  plays the role of first Person Persona Omniscient is revealed in   Stanza 1 as follows: 
And
  much sadness still lingers in the air; | 
| 
Stanza
  3  
Through faith, they wished his silent
  voice would speak, 
But his waving hand signaled his
  farewell. | 
First
  Person Persona Omniscient  
Through faith, they wished his silent
  voice would speak, But his waving hand signaled his farewell. | 
| 
Stanza
  4 
No doubt, will spring up a new
  successor; 
Amid
  chicks, bunnies, and eggs they behold 
In awe, this mystic season of rebirth, 
Where
  bright colors of daffodils’ sunlight, 
Of hope, from a Savior who burst the tomb! | 
First
  Person Persona Omniscient 
No doubt, will spring up a new
  successor; 
Amid
  chicks, bunnies, and eggs they behold  
In awe, this mystic season of rebirth, 
Where
  bright colors of daffodils’ sunlight, 
Of hope, from a Savior who burst the tomb! | 
| 
Stanza
  5 
His
  death, resurrection, and ascension, 
Reclaimed to mankind the Lost
  Paradise; 
So
  pledging allegiance to the Risen; 
Through
  Him, no evil power can hold sway, 
For all mankind has found grace in
  God' sight, 
And His Light has brightened the
  darkest spot; 
So flying kites cannot outpace their
  prayers. | 
 First Person Persona Omniscient 
Reclaimed to mankind the Lost
  Paradise; 
Through
  Him, no evil power can hold sway, 
For all mankind has found grace in
  God' sight, And His Light has brightened the darkest spot; So flying kites
  cannot outpace their prayers. | 
So in addition to being the lead speaker in poem “Easter”, the speaker has revealed instances of getting into the minds of characters as documented in Table 1b above. Thoughts revealed provide the test that the poem is not only a First Person Persona but a First Person Persona Omniscient.
 
 
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